Artist Profile: Alexandro Vasmoulakis

Interview of Alexandro Vasmoulakis a building art master in Athens, Greece.

C: Where are you from? What’s your background?
I was born in Greece and studied at the Athens school of fine arts.

FC: What was the interest in art and what lead you to create all those things? 
It’s so very vague!! Sometimes i just see that things happen by themselves. Our real decisions seem to be quite weak!

FC: How would you define your work and what inspires you?
It could be defined as an attempt to link different aspects of our perceptions. Good sex and good sleep seem to be the great sources of inspiration!

FC: What kind of reaction do you want to evoke from your art?
The reaction is the point! Negative or positive it doesn’t really matter. And when there are quite different reactions for what you have done, you can start feeling happy! Ambiguity is always needed, wherever.

FC: How did you create your own characters?

The faces of my characters are made by fragments of other faces, usually from magazines’ photos. One mouth from here and two eyes from there come closer making a new face. Destroying in order to create..

FC: Sometimes I don’t know if they are sad or Happy, it’s like ” une mélancolie heureuse” (in french) a happy sadness or happy melancholy… 
Your uncertainty is one of my goals! Most of the times i work on the same character in different moods and usually this is revealed in the end.

FC: How do you choose your images and where they are placed in the street?
I do love the dirty spots!! As dirty as possible, feel that there is an additional reason to do something…

FC: Some of your pieces are HUGE, how many time do you need to finish it?
It depends on the circumstances, you know, the weather, the height of the building, my mood, etc. Usually two or three weeks are required. I prefer to take my time!

FC: What the next challenge now? To Paint a whole hood? a whole city?
To make better and stronger pieces, their format is not the priority. My recent purpose is to divide myself and my work in two or even more main parts. It’s more than good to have an identity in your work, a style which is recognisable, but oftentimes that becomes a trap which prevents you from pushing your own boundaries.

FC: Tell us more about your street installations. It’s a different work.
All of them are made with found objects and garbage. I am interested in exploring what we get rid of… Dumps smell death but can reveal much about our lives.

FC: Name an artist (or many) whose work you respect and admire.
This list is always changing but Fischli&Weiss and Theo Jansen remain on top!

FC: Which media/support and tools do you prefer? Bombs, stencils, walls, ads, wheatpaste, wood, paper?
Whatever!

FC: If your style was a music band or a song? Which one would it be?
Something from 20s, 30s, 40s and 50s. Maybe Boogie woogie!!

FC: Do you feel the work you are doing is something that should be preserved or stayed transcience?
Let it live and die free!!

FC: Are you in a crew, do you work with other artists?
Usually i do things with my friend Paris Koutsikos. Check out his website:http://parisko.com/

FC: What do you think about the street art hype?
I am just curious to see its conclusion..

FC: How do you feel about the commercialization of street art in recent years?
Since we live in a capitalistic society the commercialization of every field is simply uncontrollable. Actually I don’t believe in the existence of the underground.. Once it appears, makes its first steps and comes to maturity then the market comes and swallows it with pleasure!

FC: What’s coming up in the next few months? Show, travels… etc…
Currently i work in Berlin preparing my first solo show. I couldn’t imagine how demanding a solo exhibition is! Future plans are pretty loose for the moment. We will see!

FC: What’s your real goal?
Still searching..

FC: Any words of wisdom?
Have fun.

Thank you Alexandros!

Alexandros Vasmoulakis ’s official website

Typography: Joseph Ondrick

The Typography of Joseph Ondrick

Joseph Ondrik can create letters from anything, just check out his work below and see for yourself.

Crossing Lines Video

Crossing Lines by Andrew Telling - video

Crossing Lines from Andrew Telling on Vimeo.

Crossing Lines is a short film that documents Irish artist Conor Harrington trip to middle east in 2010. Shot over a 9day period through Tel Aviv, Israel and Bethlehem, Palestine.

SITE

Titi Freak - Installation in Newcastle @ Onethirty3 and the streets of Japan

Quote from Arrested

It looks like Titi Freak has been busy in Japan getting up on the streets (seen after the jump) as well as painting this mural for the Crazy Crimers 2 group show. This was certainly not the first time in the “Land of the Rising Sun” for the Brazilian born and based artist as he draws influence from his South American roots as well as his Japanese heritage.
This sweet piece should give you a taste of what’s to come later on this month in the UK. For one night only (February 24th), he will be christening the walls of One Thirty 3, a new space in Newcastle. Sounds like this will be the modus operandi for the gallery as they have also scheduled some one night only shows for the rest of the year – April/May: Sickboy/Word to Mother – June: Herakut – August: Retna – October: Gaia. Each show will also be accompanied by an original painting and 33 limited edition prints (hence their name).
Take a look at more photos of Titi’s work in Japan after the jump…

SOURCE ARRESTEDMOTION

INTERVIEW: EMEK

THE MAN BEHIND THE CREATIVE ARTWORK CD COVERS


Abandoned at birth, Emek has lived a difficult, often tragic life. After being forced to work for years as a child-laborer in a plutonium mine, he won a rare mining scholarship to attend art school. Little did he know, his troubles were only just beginning. In art school, he fell in with a rough and dangerous crowd. Upon graduating most of them pursued lives of crime as freelance graphic artists, and were never heard from again. For Emek, the only hope of escaping the fate that befell his doomed peers -- advertising -- was to become a rock 'n' roll artist.

Emek now lives in many worlds. His art shows it. Born a decade after the '60s, he was nevertheless influenced by '60s culture and counter-culture. Emek was raised in an environment that supported his crazy artistic aspirations as both his parents were artists, too. He grew up listening to their music, their ideals, and their divorce. Yet, he is also a product of his own "Who, Me?" generation.

Emek graduated with a Major in Art, and a Minor in Unemployment. His first poster commission was done immediately after the L.A. riots/uprising of 1992, for a unity rally and concert held on Martin Luther King Day. The poster was a success and from then on, Emek was hooked on the art form. 

"I appreciate the flexibility this medium allows me because the bands generally give me total creative freedom (as long as I include the show info). I am allowed to dip into the recesses of my own imagination and see what spills out onto the page. I am my own art director so I can experiment with different concepts and styles to keep things fresh. Today's disposable culture paves the way for tomorrow's collectible nostalgia... I'm just trying to keep it interesting."

In Emek's posters, psychedelic '60s imagery collides with '90s post-industrial iconography. To this collision of the organic vs. the mechanical worlds he adds humor, social commentary and fantasy. Even in the smallest details there are messages. All of Emek's artwork is originally hand-drawn and then hand- silkscreened for each actual concert or event, usually in limited editions of around 300.

You can order one of these before he becomes really famous, or really homeless. So far, his unique visual style has graced music posters on a diverse musical spectrum, from Blues legend B.B. King to the Beastie Boys. He has painted album covers for Neil Young and Pearl Jam as well as for many punk and alternative bands. He was invited to exhibit at the opening of the Rock and Roll Hall of Fame "History of Rock Posters" exhibition and has been featured in national and international magazines. As you read this, his work is permanently displayed in Hard Rock Cafes all over.

EMEK

Emek's typically detailed artwork for Erykah Badu

​Not all of us are as audacious or as talented to only be known by one name, but there is an LA-born poster maker who gets away with being both. You may recognize EMEK's work from the LA Weekly's political art pages in 2004, but more likely from the early Coachella posters and the myriad of rock and roll art he produced in the '90s.

EMEK helped usher back the popularity of rock poster art and perhaps reminded us of its cultural importance right on the heels of iTunes and the impending disappearance of "the album cover".

In his new book, Collected Works of Aarght! (Ginko Press) EMEK's macho rock sensibilities are evident in the extensive projects he has filed with Queens of the Stone Age, TOOL and Nine Inch Nails. However, his collaborations with Eryka Badu and an exquisitely intelligent Nick Cave and the Bad Seeds "Map" show his ability to soften and extend his reach to other audiences.

EMEK's favorite subject matter includes skeletons, nature, industrial contraptions and a political combination thereof. His painstaking, hand-drawn detail work harkens back to Rick Griffin's psychedelic Fillmore posters of the sixties, albeit with a punk rock edge, earning him praise from early artists like Stanley Mouse and Art Chantry as well as his contemporaries Frank Kozik and Shepard Fairey.

EMEK will be signing regular and laser etched copies of his new book, "Collected Works of Aaarght", Saturday, Dec 4, 2010, at Mr Musichead Gallery, 7511 W Sunset Blvd, 7-10pm. Original art and prints will be on display at the gallery through Dec 18th.

We spoke to EMEK, who was preparing for his signing event at Mr Musichead tomorrow.

Inspired by your fossil piece for The Flaming Lips, I have to ask, do you watch TV?
My parents made a conscious decision to throw out the TV when I was young, but they encouraged my brother and sister and I to experiment and create with all varieties of art media and book reading instead. We never felt we missed out on anything and subsequently, we are all professional artists now.
Of course, now I watch Nick at Night obsessively to try to recapture my lost childhood.

If you weren't making art, what would you be doing?

Watching TV.

What was the first thing you ever drew?
The first drawing I ever spent a lot of time on...my parents saved. It's an anatomically correct skeleton with a penis. I still have it.

EMEK

​What was the first concert you saw?
Growing up, my parents were friends with a lot of artists and musicians, so I went to a lot of performances at a young age without thinking it was a big deal. Jackson Browne, Peter Paul and Mary... it was fun to listen to the music and hang out backstage.
The first concert I went to on my own, I snuck out to see The Descendents.

If you got stranded on a deserted island, what album (yes, album), would you have with you?
I'm so glad you asked, it just so happens I was recently stranded off the coast of the Seychelles - a long story. Thank goodness I had my Justin Bieber megamix.

Honestly though, it changes every day - yesterday it could of been the Clash's Sandinista, today maybe The Magnetic Fields 69 Love Songs and tomorrow maybe the best of Blaxploitation soundtracks.

What's your favorite poster done or not done by you?
My posters are my babies...so I hate them all...but really, I always make my next poster my favorite. I love the deceiving simplicity of Small Stakes (designer Jason Munn) posters.

What's your fantasy concert lineup and what would the art concept be for the poster?
Bob Dylan and Leonard Cohen. Conceptually, the duality of them then and now -- young and old, dreams realized or unfulfilled. I like making posters for some of my cultural heroes.

EMEK

​Why did you leave LA for Portland?
LA has been very good to me, and there is still so much to immerse yourself in there. But once I realized that I could do my art from anywhere with internet and Fedex, especially once we had kids, I wanted to move somewhere with less traffic, less pollution, more greenery, more water, a large backyard, etc. The young energy of Portland, lots of artists and musicians and families, feels very positive. I still visit or do business in LA about 4 times a year or more.

How do you see your work evolving? I notice many sculptures and
installations in the book, as well as new videos on You Tube.
After doing hundreds of silk screened posters, I asked myself, how can I still make art but incorporate some of the cool things that I saw my parents doing in their studios while we were growing up? Posters still make up the majority of my output, but I have managed to incorporate embossing, lasercutting, embroidery, resin casting, burning and other experimental printing techniques into my work to keep things fresh. My motivation is to mix it up and see what happens.

What are you working on right now?
Helping my dad build a tree house for my kids.